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Giovanni BOLDINI
(Ferrara 1842 - Paris 1931)
Portrait
of Marchese Ignazio Boncompagni, Prince of
Venosa, 1914
Oil on canvas, 130 x 95 cm
Signed and dated bottom left: Boldini
1868 / 1914
Provenance: Turin, Accorsi Collection;
Turin, private collection; Rome, private collection.
Literature:
Boldini, curated by Ettore Camesasca,
Alessandra Bargogelli, catalogo della mostra,
Milano, Palazzo della Società per le
Belle Arti ed Esposizione Permanente, 22 March
- 14 May 1989, Milano, Mazzotta, 1989; C.L.
Ragghianti and E. Camesasca, L’opera
completa di Boldini, Milan, Rizzoli, 1970,
p. 129, plate 527; F. Dini and P. Dini, Giovanni
Boldini 1842-1931. Reasoned catalogue, Turin,
Allemandi, 2002, p. 558, plate 1087.
Exhibition: Boldini, curated by
Ettore Camesasca, Alessandra Bargogelli, catalogo
della mostra, Milano, Palazzo della Società
per le Belle Arti ed Esposizione Permanente,
22 March - 14 May 1989, Milano, Mazzotta,
1989, pag. 211, plate 142.
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Ippolito
CAFFI
(Belluno 1809 - Lissa 1866)
Carnival
in Rome
Tempera and gouache on
heavy paper, 31 x 39 cm
Signed and dated bottom right: Caffi 1847
Exhibitions: Caffi. Luci del Mediterraneo,
curated by Annalisa Scarpa. Rome, Museo di Roma
- Palazzo Braschi, 15 February – 2 May
2006.
Literature: Caffi. Luci del Mediterraneo,
edited by Annalisa Scarpa. Rome, Museo di Roma
- Palazzo Braschi, 15 February – 2 May
2006, page 161
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Vincenzo
CAMUCCINI
(Rome, 1771 – 1844)
Myological
Drawing. Forearm and hand
Sanguine and black pencil
on white paper, 275 x 415 mm
Bibliography: P. Salvi, «Labyrinthos»,
39/40, 2001, p. 138 (cat. 6)
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Vincenzo
Camuccini
(Rome, 1771 –
1844)
Myological
Drawing. Forearm and hand
Sanguine and black pencil
on white paper, 272 x 422 mm
Bibliography: P. Salvi, «Labyrinthos»,
39/40, 2001, p. 132 (cat. 8)
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Vincenzo
CAMUCCINI
(Rome, 1771 – 1844)
Myological
Drawing. Forearm and hand
Sanguine and black pencil
on white paper, 284 x 404 mm
Bibliography: P. Salvi, «Labyrinthos»,
39/40, 2001, p. 117 (cat. 9)
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Vincenzo
CAMUCCINI
(Rome, 1771 – 1844)
Myological
Drawing. Shoulder, arm, forearm and hand
Sanguine and black pencil
on white paper, 278 x 428 mm
Bibliography: P. Salvi, «Labyrinthos»,
39/40, 2001, p. 121 (cat. 14)
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Vincenzo
Camuccini
(Rome, 1771 –
1844)
Myological
Drawing. Arm, forearm and hand
Sanguine and black pencil on white paper, 226
x 269 mm
Bibliography: P. Salvi, «Labyrinthos»,
39/40, 2001, p. 119 (cat. 15)
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Vincenzo
CAMUCCINI
(Rome, 1771 – 1844)
Myological
Drawing. Dorsal region, shoulder, arm, forearm
and hand
Sanguine, black pencil
and charcoal on white paper, 283 x 418 mm
Bibliography: P. Salvi, «Labyrinthos»,
39/40, 2001, p. 122 (cat. 17); Id., «Annali
della Facoltà di Medicina e Chirurgia
di Perugia», 95, 2005, p. 91
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Vincenzo
CAMUCCINI
(Rome, 1771 – 1844)
Myological
Drawing. Hip, thigh, knee, leg and foot
Sanguine, black pencil
and charcoal on white paper, 336 x 571 mm
Bibliography: P. Salvi, «Labyrinthos»,
39/40, 2001, p. 126 (cat. 30)
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Vincenzo CAMUCCINI
(Rome, 1771 – 1844)
Myological
Drawing. Thigh, knee, leg and foot
Sanguine, black pencil and charcoal on white
paper, 573 x 348 mm
Bibliography: P. Salvi, «Labyrinthos»,
39/40, 2001, p. 128 (cat. 32)
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Vincenzo CAMUCCINI
(Rome, 1771 – 1844)
Myological
Drawing. Head, neck, pectoral region and shoulder
Sanguine, black pencil and charcoal on white
paper, 372 x 423 mm
Bibliography: P. Salvi, «Labyrinthos»,
39/40, 2001, p. 129 (cat. 35)
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Vincenzo CAMUCCINI
(Rome, 1771 – 1844)
Myological
Drawing. Neck, back, shoulder, arm and gluteal
region
Sanguine, black pencil and charcoal on white
paper, 296 x 436 mm
Bibliography: P. Salvi, «Labyrinthos»,
39/40, 2001, p. 131 (cat. 37)
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Vincenzo CAMUCCINI
(Rome, 1771 – 1844)
Myological
Drawing. Forearm and hand
Sanguine and black pencil on white paper,
201 x 210 mm
Bibliography: P. Salvi, «Labyrinthos»,
39/40, 2001, p. 150 (cat. 43)
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Vincenzo CAMUCCINI
(Rome, 1771 – 1844)
Myological
Drawing. Neck, back, shoulder, arm and gluteal
region
Sanguine, black pencil and charcoal on white
paper, 270 x 430 mm
Bibliography: P. Salvi, «Labyrinthos»,
39/40, 2001, p. 132
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George GROSZ
(1893 - 1959)
A dead Irishman speaks, 1941
Reed pen and pen and ink on paper, 1941
cm. 59 x 46
Inscribed "A dead Irishman
speaks" lower right and
"to Ben Hecth 1001 Afternoon" lower
left.
On the reverse with the Estate stamp and number
"4-48-4"
Provenance: Studio of the artist,
Douglaston, Long Island, 1941 George Grosz
Estate, 1959 Private Collection, Italy
Illustration: Ben Hecht, "1001
Afternoons in New York", the Viking Press
New York, 1941, illustrated page 233 Ben Hecht,
"1001 Nachmittage in New York",
Insel Taschenbuch 1323, Insel Verlag Frankfurt
am Main und Leipzig, 1992, illustrated page
261
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Marino MARINI
(1901-1980)
Cavallo
e cavaliere
cm. 58x41
black ink and tempera on paper, 1950
Signed and dated lr: Marino 1952
Provenance: Rome, private collection
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